Zurück in die Zukunft (im englischen Original: Back to the Future) ist der Name einer Science-Fiction-Film-Trilogie aus den Jahren , und In allen. Eine stilisierte und ironische Version von deinem liebsten Charakter aus: Film, Buch, Comics, TV-Serier und vieles mehr! Universal Studios, BTTF- Marty in Future. Back to the Future - Figuring out what's next and what may help you get there. This workshop concerns figuring out what you would like to do after you graduate.
Back To The Future Inhaltsverzeichnis
Der jährige Marty McFly hat es nicht leicht: Die Schule stinkt ihm, seine Rockband verliert einen Wettbewerb und er hat Angst, als Loser wie sein Vater zu enden. Sein einziger Trost ist der exzentrische Wissenschaftler Doc Brown, der einen. Zurück in die Zukunft (Originaltitel: Back to the Future) ist eine Science-Fiction-Filmkomödie des Regisseurs Robert Zemeckis, die am 3. Juli in die. Zurück in die Zukunft (im englischen Original: Back to the Future) ist der Name einer Science-Fiction-Film-Trilogie aus den Jahren , und In allen. Willkommen im PLAYMOBIL®-Online Shop: Ob Ritterburg, Feuerwehr oder Adventskalender hier werden Kinderträume wahr! Jetzt entdecken! stradadelsagrantino.eu: Back to the Future 30th Anniversary Trilogy: Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson, Crispin Glover, Casey. Entdecke unsere große Auswahl an Zurück in die Zukunft hier auf stradadelsagrantino.eu Kleidung, Filme, Pop! Vinyl, Merchandise und mehr zu unschlagbaren Preisen! Zurück in die Zukunft is the German-dubbed version of Back to the Future. The website stradadelsagrantino.eu is the German language counterpart to stradadelsagrantino.eu
Zurück in die Zukunft (im englischen Original: Back to the Future) ist der Name einer Science-Fiction-Film-Trilogie aus den Jahren , und In allen. Der jährige Marty McFly hat es nicht leicht: Die Schule stinkt ihm, seine Rockband verliert einen Wettbewerb und er hat Angst, als Loser wie sein Vater zu enden. Sein einziger Trost ist der exzentrische Wissenschaftler Doc Brown, der einen. Entdecke unsere große Auswahl an Zurück in die Zukunft hier auf stradadelsagrantino.eu Kleidung, Filme, Pop! Vinyl, Merchandise und mehr zu unschlagbaren Preisen! Eine stilisierte und ironische Version von deinem liebsten Charakter aus: Film, Buch, Comics, TV-Serier und vieles mehr! Universal Studios, BTTF- Marty in Future. Back to the Future - Figuring out what's next and what may help you get there. This workshop concerns figuring out what you would like to do after you graduate.
Back To The Future PLAYMOBIL® DeutschlandDieses Vorhaben erweist sich aber als extrem schwierig. November De.Ddlme, da er genau an diesem Tag die richtige Idee für die Erfindung der Super Bowl 2019 Wann gehabt hatte. Er befürchtete deshalb, ein abermals erfolgloser Film He-Man Figuren ihn als Regisseur diskreditieren und ihn so um potenzielle Anstellungen bringen. Die Idee, die Zeitmaschine in Form eines DeLoreans zu präsentieren, wurde von den Kritikern als besonders ausgefallen gelobt. Bitte schreibe uns alternativ eine Mail an service gamestop. Weitere Bedeutungen sind unter Zurück in die Zukunft Begriffsklärung aufgeführt. Glover und Thompson, die beide etwa zwanzig Jahre alt Valentina Pahde, übernahmen auch die Rollen ihrer älter gewordenen Figuren aus dem Jahrwas damals noch unüblich war. Playmobil Back to the Future Marty and Doc Dieser Artikel wurde am 5. Taglines: He was never in time for his classes Archived from the original on August 1, The song "Johnny B. Critters 3 Stoltz was replaced, the crew were polled about Hardin being taller than Fox; the female crew The Seven Deadly Sins Serien Stream voted that Marty should not be shorter than his girlfriend, and Hardin was replaced with Wells. Fusion home energy reactor. Ralston said Back To The Future ILM was working on Back to the Future up to the last possible minute before it had to be handed over to print Songtext Impossible theatrical film reels. El videojuego de Lego Dimensions presenta dos paquetes de juguetes de Back to the Future. Retrieved September 29, Zemeckis preferred this as he did not want the audience to think too much about how everything worked. Retrieved May 22,
Gale and Zemeckis believed his acting timing in the sitcom Family Ties — as the sophisticated Alex P.
Keaton could be translated to Marty's clumsiness. Spielberg requested that the show's producer Gary David Goldberg have Fox read the script.
Concerned that Fox would take the role and his absence would damage Family Ties ' success—especially with fellow star Meredith Baxter already absent for maternity leave —Goldberg did not give Fox the script.
Zemeckis suggested McFly because it sounded like an "All-American" name. Lithgow was unavailable and the role was offered to Lloyd.
Lloyd was reluctant to join the production until a friend encouraged him to take the part. Gale described his performance as "nuts".
Glover was told to be more restrained when appearing as the older George of Tim Robbins and J. Cohen were considered to play Biff Tannen. Wilson; his first feature starring role.
The show was canceled, freeing up Wells. After Stoltz was replaced, the crew were polled about Hardin being taller than Fox; the female crew overwhelmingly voted that Marty should not be shorter than his girlfriend, and Hardin was replaced with Wells.
Doc Brown's pet dog Einstein was scripted as a chimpanzee named Shemp. Sheinberg insisted that films featuring chimps never did well.
Zemeckis requested his appearance; Lewis agreed as long as it was uncredited and he could wear a disguise.
Principal photography began November 26, , with a schedule of 22 weeks. He had previously worked with Zemeckis on Romancing the Stone.
Owing to the tight schedule, Zemeckis opted to have the film edited while he was shooting it. Stoltz utilized method acting on set and stayed in character as Marty when not filming, refusing to answer to his own name.
When required to shove Biff, Stoltz put his full strength into pushing Wilson rather than imitate doing so, despite Wilson's requests for Stoltz to stop.
On January 3, , Goldberg told Fox about withholding the Back to the Future script from him, and that the filmmakers wanted to know if he was interested.
Baxter had returned to the show and they could be more flexible with Fox's time, but Family Ties was to be given priority over the film.
Fox agreed to join without reading the script;  The transition was unable to take place immediately and filming continued with Stoltz in the lead role, unaware that he was to be replaced.
On January 10, ,    Stoltz turned up for filming as scheduled. He was informed by Zemeckis that he would no longer be involved in the film.
Spielberg was nearby in case he was needed. I broke [Stoltz's] heart. Thomson had, against the instruction of the studio, left the country to visit her then-boyfriend Dennis Quaid.
When she saw she had received numerous messages relating to Stoltz, she initially believed she had been fired for her actions. The rest of the crew was then informed that much of Back to the Future would have to be re-filmed.
The set designers were told to not change the set as it would be required again, and a scene involving a discussion between Marty and Doc was only filmed to show Doc.
His final filmed scene was Marty's return to the altered On weekends, the Back to the Future schedule was pushed back further as Family Ties was then filmed in front of a live audience.
He also ad-libbed some lines when he forgot the intended dialog. To compensate for his conflicting schedules and to keep the production costs low, some scenes involving Marty were shot without Fox; Fox would film his part separately.
Many locations in and around Los Angeles were used in the production. Paull insisted on using the Universal backlot sets because of the difficulties and costs involved in making an on-location area look appropriate.
Marty's home and the surrounding Lyon estates are in Arleta, Los Angeles. Several of the residential locations were filmed in Pasadena: Lorraine's and George's homes, and Doc Brown's home—its exterior is the Gamble House and interiors were shot at the Blacker House.
Filming concluded after days on April 26, The final day of filming included pick-up shots of Marty and Einstein in the DeLorean.
Arthur F. Repola served as the post-production supervisor. Normally producers Kathleen Kennedy and Frank Marshall were in charge of pre-production and post-production respectively.
However, as both were involved in numerous other films at the same time, Repola became responsible for many aspects outside of his role, including budgets, storyboarding, and general problem-solving.
A rough version of the movie was cut together for a test screening at Century 22 theater in San Jose, California in mid-May , just three weeks after filming concluded.
The audience was seemingly uninterested at first at the exposition-heavy opening but were engaged after the appearance of the DeLorean.
Several scenes were filmed but did not make it into the finished film: a scene of Doc looking at an issue of Playboy , remarking that the future looks better; a scene of George being coerced into buying a large amount of peanut brittle from a young girl;   a scene of George being trapped in a phone booth by the man who interrupts his dance with Lorraine;  and the scene of Marty pretending to be "Darth Vader" to influence George was shortened.
Goode" performance scene because it did not advance the story, but test-audiences reacted well to it. Wilson said he did not recall re-shooting a close-up scene with Fox and so it must be Stoltz.
Gale has said the scene was re-shot with Fox, but Keramidas marked it as low quality. Gale noted that it is impossible to tell without checking the original film negative, which would risk damaging it.
Alan Silvestri composed the score for Back to the Future ; he had worked with Zemeckis previously on Romancing the Stone. The only guide Zemeckis gave to Silvestri was that "it's got to be big".
Silvestri used a big orchestral score to create a sound that contrasted the small-town setting with the significant time-changing events occurring within it.
He wanted to create a heroic theme that would be instantly recognizable in just a few notes. Lewis was approached to write a theme song for the film; he was coming off the success of his recent album Sports.
Though flattered, Lewis did not want to participate because he did not know how to write film songs and did not want to write one called "Back to the Future".
Zemeckis assured Lewis that he could write any song he wanted. Lewis agreed to submit the next song he wrote, which was " The Power of Love ".
Marty and his band the Pinheads sing a version of "The Power of Love" during their battle of the band audition.
The filmmakers wanted to play music by the band Van Halen but they refused to participate, and Eddie opted to take part on his own.
Mark Campbell provided Marty's voice when singing. When music supervisor Bones Howe learned of this, he secured Campbell a small percentage of the soundtrack revenue as compensation.
Goode ", and choreographer Brad Jeffries spent 4 weeks teaching Fox to replicate various rock star movements popularized by artists like Pete Townshend , Jimi Hendrix , and Chuck Berry.
Goode" until the day before filming. Ralston expressed difficulty with the schedule; he worked on Cocoon during the day and Back to the Future at night.
The team was given nine-and-a-half weeks to develop the special effects, but once Universal Pictures moved up the release date this was reduced to eight weeks.
Ralston said that ILM was working on Back to the Future up to the last possible minute before it had to be handed over to print the theatrical film reels.
A scene where Marty's hand fades away as his future is altered was considered disappointing by Ralston. Fox was filmed separately from his hand and the two were composited together; because the hand was filmed with a wide-angle lens, it appeared larger than normal and had to be scaled down.
Zemeckis wanted the fade to be subtle, but it resulted in a small circle of the hand fading away and there was no time to fix it.
In the same scene, Marty and his siblings fade away from a photo. ILM found it difficult to individually fade the photo's different aspects, especially as it is moving on the neck of a guitar.
An 11x14 inch aluminum plate was attached to the guitar to hold the enlarged photograph. A Tondreau Mechanical camera allowed them to cycle through each photo as it was aligned into the shot and print it to the film.
The clouds were filmed from above while Ralston shone a powerful light from below. The lightning bolt that strikes the clocktower was described as "the largest bolt of lightning in cinematic history.
It was intended to originate far in the distance and move towards the camera, but the scene had been filmed too close to the clocktower and there was not enough space between it and the top of the frame for the effect to fit.
He asked that the effect focus on that shape and be reduced to 20 frames. He was tasked with realizing Cobb's sketches and overseeing its construction.
Fink had a project lined up but agreed to help in the free weeks he had remaining. Three DeLoreans were purchased from a collector for the film: one for stunts, one for special effects, and one for normal shots.
He and Zemeckis simultaneously suggested renaming it the Flux Capacitor. Cobb and Probert had alternately placed the Flux Capacitor on the external and interior roof of the DeLorean.
Fink placed it next to the driver. The time display was constructed from LMB boxes. When Fink left, he picked Michael Scheffe to replace him.
Scheffe finished the Flux Capacitor build and built the "Mr. Fusion" replacement power supply out of a Krups coffee grinder. Halogen lamps were fitted to the tires to simulate thrusters; the tires were made from aluminum to withstand the heat.
The act of the DeLorean traveling through time is referred to as the "time slice" effect. Zemeckis only knew that he wanted it to be a violent transition.
He described it like a " Neanderthal sitting on the hood of the Delorean and chipping away the fabric of time in front of him".
An electrical effect enveloping the car was abandoned because a similar process had been used in the science fiction film The Terminator Takahashi developed artwork showing the segments popping out from the Delorean and glowing.
Gale liked the effect, but Zemeckis did not and Spielberg found it unrealistic. Takahashi animated separate effects like contrails and flashing lights; Zemeckis opted to use them all.
This resulted in the Delorean appearing to emit various effects that strike in front of the car to create an explosion that opens the time slice.
This was combined with practical effects on the car including smoke, sparks, and flash-bulbs. The footage was sped up and smoke added where the car disappeared.
Fox and Lloyd were filmed against a reflective mylar blue screen set to match the car park's wet surface and composited into the trails of fire.
Norwood and Charlie Mullen outlined an animation and Ellen Lichtwardt animated a glow to the vehicle. The effect is so quick as to be imperceptible.
Zemeckis preferred this as he did not want the audience to think too much about how everything worked. The filmmakers used a stylized adaptation of aesthetics closer to TV show interpretations than an exact recreation.
Modern technologies such as fabrics were used because they determined that the actual fashions of the time were less aesthetically pleasing.
An unnamed gas company offered a large sum to be included but Paull used Texaco because it reminded him of a joke from The Milton Berle Show.
The wranglers used pullies to start the clocks in sync with the scene recording. To represent characters across three decades, the filmmakers did not want to have older actors stand-in for the younger ones.
They believed that the change would be obvious and detrimental to the film. Special effects artist Ken Chase was hired for his prosthetics experience.
He ran several make-up tests on the young actors to age them; the results were initially discouraging. In particular, Chase said that the result for Glover was terrible.
Chase created a prosthetic neck and a bald cap with receding hairline for Glover's character, but the effect was considered excessive.
Chase found it difficult to balance aging the actors while retaining enough of their natural faces so they remained recognizable.
Casts were taken of the actors' faces, from which plaster molds were made. Chase sculpted more subtle effects over the plaster molds using latex.
For Lorraine, he crafted jowls and eye bags, plus body padding to reflect her increased weight and alcohol abuse. Chase wanted him to look "obnoxious".
Chase found the work frustrating compared to his more fantastical prostheses on other films that made it easier to hide defects.
In comparison, blending small prosthetics into natural skin was harder. Chase used a stippling process—creating a pattern with small dots—to add varied colors to the actors faces to better conceal where the skin and prosthetics met.
Chase employed a technique where he could paint latex on Lloyd's skin which, when removed, caused crinkles in the skin.
Extra elements like liver spots and shadows were painted on to Lloyd. A higher budget to secure a popular cast was considered a suitable risk as the box office returns were typically higher as a result.
Reflecting the times, these fantasy elements often employed a technological source instead of a magical one. Back to the Future was initially scheduled to release in May The production delay following Stoltz's replacement pushed it back to July 19, and later to August.
He moved the release date forward to July 3, giving it an extra 16 days of theatrical screentime during the industry's most profitable time of the year.
Sheinberg said he also wanted to avoid the negative perception of films released later in the summer period, instead of early like other blockbuster films.
In some cities, it was legally required that exhibitors be shown a film prior to purchase. An unfinished cut of the film featuring a temporary music score and incomplete special effects was shown to exhibitors and young test audiences.
Exhibitors described it as not at the same level as E. National Lampoon's European Vacation came out in August and it kicked us out of number one for one week and then we were back to number one.
The film remained a steady success through to September. It remained in the top ten highest-grossing films for its first 24 weeks of release.
Back to the Future has received several theatrical re-releases to celebrate the film's anniversaries, including a remastered version screened in Back to the Future received generally positive reviews from critics.
Goode" scene, saying that the audiences' kids will love the film over the next 30 years. He added that even though every facet seemed mechanically designed to create a broadly-appealing film, it never felt too safe.
Attanasio concluded that Back to the Future was a "wildly pleasurable" and sweet science-fiction comedy. He said that the film had charm, humor, and held a lot of surprises that offered the film's "greatest pleasures".
He said that despite Spielberg's role as a producer, Back to the Future was clearly Zemeckis' film, being more subtle, gentler, and less noisy.
Gene Siskel said that initially Back to the Future seems to be everything wrong with movies of its era that are aimed at a young audience.
However, it subverted his expectations by avoiding traveling to an unidentifiable future or historical event to focus on the unique perspective through a relatable tale of a child being able to meet his parents in their youth.
It offered something for both children and adults. She said that Back to the Future had an interesting premise but the film was overproduced and underdeveloped.
Benson believed that the film lacked tension because there was never any doubt that Marty would succeed, and the ending was left feeling hollow with materialistic rewards.
Kehr remarked that Gale and Zemeckis were among the first wave of filmmakers openly influenced by growing up on televised entertainment, and their inspirations are evident throughout Back to the Future.
He described it as "zestfully tasteless" with a uniquely American vulgarity, crassness and manic energy. He described that the film succeeds by having an emotional core that keeps the audiences' interest among the laughter.
Reviewers agreed that the exposition heavy opening leads into a better half. Loynd described the opening as "shaky" and exposition heavy, but the rest of the film is filled with wit, wonder, and fresh ideas.
He appreciated the comparisons between and , and the "delicious" premise of Marty returning to the past only for his mother to fall for him romantically.
All of the cast performances were generally well received, particularly Fox, Lloyd, Thompson, and Glover. Executives were not fond of these films, but the financial rewards were too significant to ignore.
Only a few films were aimed at older audiences, leading to surprise successes like Cocoon. Executives said that the films were all very similar and marketed in the same way, offering no variety for audiences.
This was credited to the foresight of Frank Price; it was the second-highest-grossing studio that year. Afterward, he became one of the most in-demand stars in Hollywood, receiving marriage proposals and letters from fans around the world.
A "To Be Continued On the film's 25th-anniversary in , it debuted on Blu-ray. The release included a six-part documentary including interviews with the cast and crew, behind-the-scenes footage, deleted scenes, and associated music videos from all three films.
The release was notable for including the first released footage of Stoltz in the role of Marty McFly. Alongside extras included in previous releases, this edition included audition footage and an exploration of the film props hosted by Gale.
Limited edition steelbook cases or a display replicate of the levitating hoverboard from Back to the Future Part II were also available.
The main theme of Back to the Future concerns taking control and personal responsibility over one's own destiny. A situation can be changed even if it seems otherwise impossible to overcome.
Even so, Marty's future is enriched at the expense of others. At the start of the film, Marty is rejected at Battle of the Bands and admits his fears that his ambitions will remain unrealized.
He worries he will end up like his parents, and sees direct evidence in of George, also afraid of rejection, being unable to approach Lorraine; his fears risk Marty's future.
On his return to , he is rewarded with wealthier parents and a nicer car, but he has simultaneously damaged Biff's future, reducing him to a valet for the McFlys.
He believed that Marty's reward should have been happy parents actually in love with each other. He considered it a result of the film serving a corporate interest, promoting the accumulation of wealth and purchasing new things.
Gale disagreed and said he did not apologize for the scene. American audiences largely had no issue with this ending, but some international audiences did criticise it.
Despite rejection by film studios for not being raunchy enough,  Back to the Future alludes to sexual assault, racism, and the oedipus complex —a psychiatric theory developed by psychoanalyst Sigmund Freud that says a child has an unconscious sexual desire for their opposite-sexed parent.
This refers to the relationship between Marty and his future mother Lorraine in Where most people are only able to know their parents, Marty is given the opportunity to see his parents as his peers, when they were his age and shared the same ambitions and dreams as him.
The film can also be seen as promoting Reaganism —the political positions of then-president Ronald Reagan—promoting the older values of the American dream, self-reliance, initiative, and technological advancement.
Films like those of the Star Wars series and Back to the Future are designed to offer a child-like reassurance of safety and comfort. They emphasize idealized American values and the positive effects of instilling power in a patriarchal figure like George McFly or Darth Vader.
The song "Johnny B. Goode" by Chuck Berry is used during the film's final act. Berry resisted allowing the song to be used in the film at first.
NPR argued that while this may have been a matter of money for Berry, there are underlying racial issues involved in Marty, a Caucasian male, effectively rewriting history to invent the rock and roll music genre, which was heavily influenced by African American music styles.
As film fans, Gale's and Zemeckis' influences are seen throughout Back to the Future. Back to the Future is now considered a landmark of American cinema and an enduring popular culture touchstone.
As of , Gale had continued to receive mail from fans, mainly addressing the first film in the trilogy. Gale said he understood the continuing appreciation for the film as it was the "purest" and "most complete" film in the series.
She said Back to the Future had remained relevant to new generations because of its core idea that the viewer's parents were once kids and had the same dreams they do.
Many of the principal cast have reunited in the years since Back to the Future ' s release. Often these reunions are for charitable purposes, including The Michael J.
The DeLorean is considered one of the most iconic vehicles in film history. However, in the years since it has become a popular collectors item, and the DeLorean company issued kits that enabled fans to make their vehicle look more like the DeLorean time machine.
Back to the Future is considered one of the greatest films ever made. An extremely clever premise is further enlivened by quick-fire direction from Robert Zemeckis and a superb, witty script Fox is perfect as the teen trying to unite his parents Lloyd suitably foolish as the nutty scientist, while Glover and Lea Thompson as Marty's mom have a great time playing their characters as both middle-aged parents and teenagers.
A timeless comedy adventure. They said, "Weird science and teenage dreams combine in a wish-fulfilment sci-fi lent heart by the fantastic Mr.
The consensus reads, "Inventive, funny, and breathlessly constructed, Back to the Future is a rousing time-travel adventure with an unforgettable spirit.
In , the film was selected by the United States Library of Congress to be preserved in the National Film Registry for being culturally, historically, or aesthetically significant.
Title: Back to the Future Marty McFly, a typical American teenager of the Eighties, is accidentally sent back to in a plutonium-powered DeLorean "time machine" invented by a slightly mad scientist.
During his often hysterical, always amazing trip back in time, Marty must make certain his teenage parents-to-be meet and fall in love - so he can get back to the future.
A funny sci-fi? Unusual but here it not only works but does so spectacularly. A whimsical but very clever time travel story that bedazzles you leaving you wanting more.
The charasmatic Michael J Fox plays a wonderful bumbling high schooler searching for love, a guitar gig and his existence which he himself threatens to erase.
Clever and humourous references litter this fun flick; references which are further improved upon in the sequels. Views of the same scenes from different angles, different perspectives and different timelines abound.
Fun for the entire family. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.
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Marty encuentra al doctor Brown del pasado y le explica todo lo sucedido. Luego de sus varias alocadas y desesperadas ideas consigue juntarlos de nuevo, asegurando su propio nacimiento y el de sus hermanos.
La historia transcurre esta vez en el futuro. Sin embargo, otro problema surge cuando Marty compra un almanaque deportivo con todos los resultados desde a , con el fin de volver al pasado y ganar las apuestas.
Marty decide viajar hacia el pasado con el fin de rescatar a Doc y volver a Mientras se ocupan de eso, van al puente sin construir donde ven a Clara Clayton en peligro de caer al barranco.
Doc se enamora de Clara y decide no ir al futuro. Back to the Future serie animada. En , los libros de Hasslein lanzaron una materia del tiempo: El no autorizado Back to the Future Lexicon , escrito por Rich Handley.
El videojuego de Lego Dimensions presenta dos paquetes de juguetes de Back to the Future.