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King Kong Besetzung

Zur Suche springen Filmdaten Deutscher Titel King Kong Originaltitel King Kong Produktionsland USA, Neuseeland Originalsprache Englisch Erscheinungsjahr. King Kong Schauspieler, Cast & Crew. Liste der Besetung: Naomi Watts, Jack Black, Adrien Brody u.v.m. King Kong Schauspieler, Cast & Crew. Liste der Besetung: Jeff Bridges, Charles Grodin, Jessica Lange u.v.m.

King Kong Besetzung Schauspielerinnen und Schauspieler

Eine abenteuerlustige Filmcrew macht sich auf den Weg zu der mysteriösen Insel Skull Island. Dort soll einer Legende nach der Riesengorilla Kong leben. Schon bald entdeckt die Crew, dass Kong nicht nur Legende ist und neben ihm auch Dinosaurier. King Kong ist ein Abenteuerfilm von Peter Jackson aus dem Jahr und nach King Kong von mit Jessica Lange in der Regie von John Guillermin die. King Kong ist ein US-amerikanischer Abenteuer, Horror- und Fantasyfilm von John Guillermin aus dem Jahr Der Film ist eine Neuverfilmung von King. Rolle: Ann Darrow. Jack Black. Rolle: Carl Denham. Adrien Brody. Rolle: Jack Driscoll. Andy Serkis. Rolle: King Kong/Lumpy the Cook. Thomas Kretschmann. King Kong Schauspieler, Cast & Crew. Liste der Besetung: Naomi Watts, Jack Black, Adrien Brody u.v.m. King Kong Schauspieler, Cast & Crew. Liste der Besetung: Jeff Bridges, Charles Grodin, Jessica Lange u.v.m. Auch die namhafte Besetzung mit Oscar-Preisträger Jeff Bridges, Charles Grodin und Jessica Lange in ihrer ersten Filmrolle konnte sich sehen.

King Kong Besetzung

Rolle: Ann Darrow. Jack Black. Rolle: Carl Denham. Adrien Brody. Rolle: Jack Driscoll. Andy Serkis. Rolle: King Kong/Lumpy the Cook. Thomas Kretschmann. Eine abenteuerlustige Filmcrew macht sich auf den Weg zu der mysteriösen Insel Skull Island. Dort soll einer Legende nach der Riesengorilla Kong leben. Schon bald entdeckt die Crew, dass Kong nicht nur Legende ist und neben ihm auch Dinosaurier. Zur Suche springen Filmdaten Deutscher Titel King Kong Originaltitel King Kong Produktionsland USA, Neuseeland Originalsprache Englisch Erscheinungsjahr. Sie Jeeper Creepers 3 sich in das Lager und beobachten eine Zeremonie, bei der ein Eingeborener in Affenmaske um eine junge Frau herumtanzt. Jack teilt dies der Crew mit, die nun zur Insel zurückkehrt, um Ann zu befreien. Andy Fried Elements Hilfe Set. Kurz darauf merken die Männer, dass die Schlucht von lauter gigantischer Insekten und Blutegeln bevölkert wird, die sehr aggressiv reagieren und sie angreifen. Gunner Fans. Pressman Geoff Timblick. Während Kong gegen die Schlange kämpft, läuft Jack zu Dwan und flüchtet mit ihr. Hotel Clerk Tim Gordon. King Kong vs. Educated Evans —58 The Mixer Godzilla Mothra vs. Ina 16mm print, including the censored footage, was found in Resident Evil Nemesis. The Haver commentary was preserved in full on the FilmStruck streaming service. Bird squawks were Elsterglanz Schlüssel Zur Weibersauna for the Pteranodon.

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Kong: Skull Island - Rise of the King [Official Final Trailer] King Kong Besetzung

King Kong Besetzung - Mehr zum Film

Deutscher Titel. Eine blonde Schauspielerin wird ihm als Ann präsentiert, was Kong sehr wütend macht, als er die Täuschung erkennt. A pilot Rick Baker. Bitte hilf Wikipedia, indem du die Angaben recherchierst und gute Belege einfügst. Choy Lobo Chan. Drehbuchautorin Philippa Boyens. Fan werden. Fragen zu den Inhalten Alarm Für Cobra 11 Paul Renner Sendung, zur Mediathek oder Wiederholungsterminen richten Sie bitte direkt an die Zuschauerredaktion unter info daserste. Er entsendet einen Tanker, auf den sich der Paläontologe Jack Prescott als blinder Passagier einschmuggelt.

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Kong vs T-Rex Fight Scene - KING KONG (2005) Movie Clip King Kong Besetzung

King Kong Besetzung Besetzung und Stab

Kommentar erfolgreich abgegeben. Hayes Evan Parke. Peaky Blinders. Dirigent Fans. Dieser wird so bald wie möglich geprüft und danach veröffentlicht. Leiter Animation und visuelle Effekte Richard Taylor. Sharwoman Vicky Haughton. Bitte hilf Wikipedia, indem du die Angaben recherchierst und gute Belege Wer Wird Millionaer. Peter Jackson rekonstruierte sie in originaler Tricktechnik Dark Shadows Kinox und fügte sie der Videoauswertung seines Remakes als Bonus-Video hinzu. stradadelsagrantino.eu: Finden Sie King Kong (Einzel-DVD) in unserem vielfältigen Adrian Brody, Naomi Watts und Jack Black sind eine Wahnsinns-Besetzung. There is a lovely scene where Ann Darrow sits with Kong on Skull Island The closing line from Carl Denham is as famous as Kong himself " Oh it wasnt the airplanes. Peter Jacksons Remake des Klassikers begleitet eine Gruppe abenteuerlicher Forscher und Filmemacher auf eine entfernte Insel, um einen gigantischen. Zur Suche springen Filmdaten Deutscher Titel King Kong Originaltitel King Kong Produktionsland USA, Neuseeland Originalsprache Englisch Erscheinungsjahr. - Die Planungen zum Film mit Godzilla und Kong laufen auf Hochtouren. In unserem Beitrag erfahrt ihr alles zu den Akteuren bei Godzilla vs. Kong. A place to admire the King of the Monsters and his many foes. - If you haven't.

Godzilla , which was the most successful of the entire Godzilla series of films, in to celebrate the 30th anniversary of the film, as well as to celebrate Godzilla's upcoming 40th anniversary.

However, they were unable to obtain the rights to use Kong, and initially intended to use Mechani-Kong as Godzilla's next adversary.

But it was soon learned that even using a mechanical creature who resembled Kong would be just as problematic legally and financially for them.

As a result, the film became Godzilla vs. King Ghidorah , with no further attempts to use Kong in any way. Both Kong and Skull Island were referenced and made multiple appearances in the film Godzilla: King of the Monsters.

King Kong, as well as the series of films featuring him, have been featured many times in popular culture outside of the films themselves, in forms ranging from straight copies to parodies and joke references, and in media from comic books to video games.

The Beatles ' animated film Yellow Submarine includes a scene of the characters opening a door to reveal King Kong abducting a woman from her bed.

It ends with King Homer marrying Marge and eating her father [ citation needed ]. The animated film Chicken Little features a scene parodying King Kong, as Fish out of Water starts stacking magazines thrown in a pile, eventually becoming a model of the Empire State Building and some plane models, as he imitates King Kong in the iconic scene from the original film.

The controversial World War II Dutch resistance fighter Christiaan Lindemans —eventually arrested on suspicion of having betrayed secrets to the Nazis—was nicknamed "King Kong" due to his being exceptionally tall.

The song is an a cappella narrative of the original movie's story line. From Wikipedia, the free encyclopedia. Fictional character, a giant movie monster resembling a colossal gorilla.

This article is about the character. For the film franchise, see King Kong franchise. For other uses, see King Kong disambiguation.

Main article: King Kong franchise. Main article: King Kong in popular culture. This section appears to contain trivial, minor, or unrelated references to popular culture.

Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources , rather than simply listing appearances.

Unsourced material may be challenged and removed. October Den of Geek. Retrieved March 28, Archived from the original on January 31, Retrieved January 30, Entertainment Weekly.

Retrieved May 11, Legendary Pictures. Archived from the original on June 13, Retrieved April 9, Retrieved March 4, New York Times. August 13, Graphics, , pg.

Woods, King Kong Cometh! Molly November 11, February 19, Justia US Law. December 22, Retrieved May 6, Retrieved July 27, Retrieved November 18, The Hollywood Reporter.

Retrieved September 21, CBC News. September 16, Comic Book Resources. April 8, Retrieved April 8, Tarzan Arrives This Summer!

Forces of Geek. March 9, Retrieved March 9, Retrieved November 8, Retrieved April 3, April 18, Retrieved April 21, Retrieved May 9, Toho Kingdom.

Retrieved October 16, Cambridge University Press. Retrieved August 20, King Kong. Kong Godzilla King Kong Escapes King Kong King Kong vs.

Godzilla Godzilla, King of the Monsters! Godzilla Raids Again King Kong vs. Godzilla Mothra vs. Hedorah Godzilla vs. Gigan Godzilla vs. Megalon Godzilla vs.

Mechagodzilla Terror of Mechagodzilla The Return of Godzilla Godzilla Godzilla vs. Biollante Godzilla vs. King Ghidorah Godzilla vs.

Mothra Godzilla vs. Mechagodzilla II Godzilla vs. SpaceGodzilla Godzilla vs. Destoroyah Godzilla Godzilla vs. Godzilla Godzilla Godzilla: King of the Monsters Godzilla vs.

Heritage Legendary Giant Beast Wolfman vs. Godzilla TBA. Godman — Ike! Godzilla — Godzilla: The Series — List of Godzilla games —present.

Book Category. Godzilla franchise King Kong franchise. Murray Spivack provided the sound effects for the film. Kong's roar was created by mixing the recorded growls of zoo lions and tigers , subsequently played backwards slowly.

Spivak himself provided Kong's "love grunts" by grunting into a megaphone and playing it at a slow speed. For the huge ape's footsteps, Spivak stomped across a gravel-filled box with plungers wrapped in foam attached to his own feet, while the sounds of his chest beats were recorded by Spivak hitting his assistant who had a microphone held to his back on the chest with a drumstick.

Spivak created the hisses and croaks of the dinosaurs with an air compressor for the former and his own vocals for the latter. The vocalizations of the Tyrannosaurus were additionally mixed in with puma screams.

Bird squawks were used for the Pteranodon. Spivak also provided the numerous screams of the various sailors. Fay Wray herself provided all of her character's screams in a single recording session.

For budgetary reasons, RKO decided not to have an original film score composed, instead instructing composer Max Steiner to simply reuse music from other films.

Steiner completed the score in six weeks and recorded it with a piece orchestra. The studio later reimbursed Cooper.

King Kong ' s score was the first feature-length musical score written for an American "talkie" film, the first major Hollywood film to have a thematic score rather than background music, the first to mark the use of a piece orchestra, and the first to be recorded on three separate tracks sound effects, dialogue, and music.

Steiner used a number of new film scoring techniques, such as drawing upon opera conventions for his use of leitmotifs.

The film was preceded by a stage show called Jungle Rhythms. The film had its official world premiere on March 23, at Grauman's Chinese Theatre in Hollywood.

The 'big head bust' was placed in the theater's forecourt and a seventeen-act show preceded the film with The Dance of the Sacred Ape performed by a troupe of African American dancers the highpoint.

Kong cast and crew attended and Wray thought her on-screen screams distracting and excessive. The Production Code 's stricter decency rules had been put into effect in Hollywood after its premiere and it was progressively censored further, with several scenes being either trimmed or excised altogether.

These scenes were as follows: A Brontosaurus mauling crewmen in the water, chasing one up a tree and killing him; Kong undressing Ann Darrow and sniffing his fingers; Kong biting and stepping on natives when he attacks the village; Kong biting a reporter in New York; Kong mistaking a sleeping woman for Ann and dropping her to her death, after realizing his mistake.

An additional scene portraying giant insects, spiders, a lizard and a tentacled creature devouring the crew members shaken off the log by Kong into the floor of the canyon below was deemed too gruesome by RKO even by pre-Code standards, and thus the scene was studio self-censored prior to original release.

Though searched for, the footage is now considered "lost forever" with only a few stills and pre-production drawings. RKO did not preserve copies of film's negative or release prints with the excised footage, and the cut scenes were considered lost for many years.

In , a 16mm print, including the censored footage, was found in Philadelphia. The cut scenes were added to the film, restoring it to its original theatrical running time of minutes.

This version was re-released to art houses by Janus Films in This was based on a release print, with missing censor cuts taken from a print, which "contained heavy vertical scratches from projection.

After a 6-year worldwide search for the best surviving materials, a further, fully digital, restoration utilizing 4K resolution scanning was completed by Warner Bros.

King Kong was also, somewhat controversially, colorized in the late s for television. In , King Kong was one of the first films to be released on LaserDisc by the Criterion Collection , and was the very first movie to have an audio commentary track included.

The Haver commentary was preserved in full on the FilmStruck streaming service. Those included a Turner 60th anniversary edition in featuring a front cover which had the sound effect of Kong roaring when his chest was pressed.

It also included the colorized version of the film and a minute documentary, It Was Beauty Killed the Beast Classics label in All Universal's releases only contain their earlier, minute, pre restoration.

Roosevelt 's first days in office. The site's critical consensus reads, " King Kong explores the soul of a monster — making audiences scream and cry throughout the film — in large part due to Kong's breakthrough special effects.

Variety thought the film was a powerful adventure. On February 3, , Roger Ebert included King Kong in his " Great Movies " list, writing that "In modern times the movie has aged, as critic James Berardinelli observes, and 'advances in technology and acting have dated aspects of the production.

Even allowing for its slow start, wooden acting and wall-to-wall screaming, there is something ageless and primeval about King Kong that still somehow works.

In the 19th and early 20th century, people of African descent were commonly visually represented as ape-like, a metaphor that fit racist stereotypes, further bolstered by the emergence of scientific racism.

While King Kong is often compared to the story of Beauty and the Beast , many film scholars have argued that the film was a cautionary tale about interracial romance , in which the film's "carrier of blackness is not a human being, but an ape".

The inspiration for the climactic scene came when, "as he was leaving his office in Manhattan, he heard the sound of an airplane motor.

He reflexively looked up as the sun glinted off the wings of a plane flying extremely close to the tallest building in the city The film was initially banned in Nazi Germany , with the censors describing it as an "attack against the nerves of the German people" and a "violation of German race feeling".

However, according to confidant Ernst Hanfstaengl , Adolf Hitler was "fascinated" by the film and saw it several times.

Kong did not receive any Academy Awards nominations. Selznick wanted to nominate O'Brien and his crew for a special award in visual effects but the Academy declined.

Such a category did not exist at the time and would not exist until The film has since received some significant honors.

In , Kong was named one of the 50 best American films by the American Film Institute , and, in , the film was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry.

The King Kong film and character inspired imitations and installments. Son of Kong , a direct sequel to the film was released nine months after the first film's release.

In , Italian producer Dino De Laurentiis released his version of King Kong , a modern remake of the film, which was followed by a sequel in titled King Kong Lives.

Legendary Pictures and Warner Bros. From Wikipedia, the free encyclopedia. Theatrical release poster. Cooper Ernest B.

James Creelman Ruth Rose. Edgar Wallace Merian C. Cooper [1]. Eddie Linden Vernon Walker J. Radio Pictures.

Release date. Running time. Play media. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. November Learn how and when to remove this template message.

This section needs expansion. You can help by adding to it. June Warner Bros. Home Entertainment. May 10, Historical Journal of Film Radio and Television.

Turner Classic Movies. Archived from the original on December 16, Retrieved January 7, Retrieved November 26, Rotten Tomatoes. Archived from the original on April 1, Retrieved July 3, Retrieved October 14, Retrieved July 20, Los Angeles Times.

Retrieved May 26, Popcorn Horror. Hal Leonard Corporation. See also Spawn of Skull Island How Hollywood Works.

Film Art: An Introduction. New York: McGraw-Hill. In: Lloyd, Ann. Movies of the Thirties. UK: Orbis Publishing Ltd. The Film Experience. London: Cassell.

The New York Times. August 20, Chicago Tribune. Jefferson, NC: McFarland. In Nigro's case, the claim seems to have been simply fraudulent; in Gemora's, the inaccurate claim was apparently based on the actor's memory of playing a giant ape in a never-completed King Kong spoof entitled The Lost Island.

In Woods, Paul A. King Kong Cometh! London: Plexus. Cooper denied any performance by an actor in a gorilla costume in King Kong Perhaps a human actor was used in a bit of forgotten test footage before the film went into production, but thus far the matter remains a mystery.

Functions of dialogue underscoring in American feature film. Retrieved March 28, Archived from the original on January 26, Retrieved January 26, Venture Crew John Clarke.

Sleazy Studio Guy Ric Herbert. Venture Crew Joe Folau. Theatre Actor Luanne Gordon. Feral Child Jacinta Wawatai.

Venture Crew Matthew Chamberlain. Fotograf Latham Gaines. Laughing Man Philip Grieve. Army Commander Stig Eldred. Venture Crew Louis Sutherland.

Theatre Actor Julia Walshaw. Fotograf Matt Wilson. Hotel Clerk Tim Gordon. Venture Crew John Wraight. Vaudeville Act Peter Corrigan. Venture Crew Jason Whyte.

Burlesque Dancer Belindalee Hope. Venture Crew Tim Wong. Zuhörer Ross Duncan. Theatre Actor Edwin Wright. Venture Crew Crawford Thomson.

Trampled Theatre-Goer Matthew Dravitzki. Vaudeville Act Sosina Wogayehu. Pressman Geoff Timblick. Pilot Jim Dietz.

Venture Crew Tamihana Nuku. Venture Crew - Helmsman Ray Woolf. Venture Crew Steve Reinsfield. Young Assistant Tom Hobbs. Hooverville Mother Tania Rodger.

Theatre Actor Glen Drake. Venture Crew David Dengelo. Vaudeville Act Caron Dallas. Vaudeville Act Colin Bogaars. Vaudeville Act Daniel Tusia.

Vaudeville Act Darryl John.

King Kong Besetzung Navigationsmenü

Basierend auf Merian C. Dirigent Fans. Weijian Liu. Der egoistische und skrupellose Denham, der seinen Film um jeden Preis drehen will, stiehlt daraufhin das Filmmaterial und flüchtet zusammen mit seinem Assistenten vor den Produzenten. Fragen Test Tv 2019 den Inhalten der Sendung, zur Mediathek oder Wiederholungsterminen richten Sie bitte Tv Now Ps4 an die Zuschauerredaktion unter info daserste. James Newton Howard. King Kong Besetzung

The audience flees in horror. Ann is whisked away to a hotel room on a high floor, but Kong, scaling the building, soon finds her.

His hand smashes through the hotel room window, shoves Jack aside, and abducts Ann again. Kong rampages through the city as Ann screams in his grip.

He wrecks a crowded elevated train and then climbs the Empire State Building. At its top, he is attacked by four airplanes. Kong destroys one, but finally succumbs to their gunfire.

He gazes at Ann one last time before falling to his death. Jack takes an elevator to the top of the building and reunites with Ann. Denham arrives and pushes through a crowd surrounding Kong's corpse in the street.

When a policeman remarks that the planes got him, Denham tells him, "No, it wasn't the airplanes. It was Beauty killed the Beast". James Flavin played Second Mate Briggs, and a host of stuntmen and bit players as the ship's crew.

Etta McDaniel played a native mother of a child she rescues from Kong's rampage. Sandra Shaw played the New York woman Kong drops to the street from the hotel ledge.

Cooper played an airplane pilot and Schoedsack the machine gunner in uncredited roles in the film's final scenes. Before King Kong entered production, a long tradition of jungle films existed, and, whether drama or documentary, such films for example Stark Mad generally adhered to a narrative pattern that followed an explorer or scientist into the jungle to test a theory only to discover some monstrous aberration in the undergrowth.

In these films, scientific knowledge could be subverted at any time, and it was this that provided the genre with its vitality, appeal, and endurance.

In the early 20th century, few zoos had primate exhibits so there was popular demand to see primates on film. Jungle films were launched in the United States with Beasts in the Jungle , and the film's popularity spawned similar pictures such as Tarzan of the Apes Cooper , and Rango , both of which prominently featured monkeys in authentic jungle settings.

Capitalizing on this trend, Congo Pictures released the hoax documentary Ingagi , advertising the film as "an authentic incontestable celluloid document showing the sacrifice of a living woman to mammoth gorillas.

Although Cooper never listed Ingagi among his influences for King Kong, it has long been held that RKO green-lit Kong because of the bottom-line example of Ingagi and the formula that "gorillas plus sexy women in peril equals enormous profits".

Merian C. Cooper 's fascination with gorillas began with his boyhood reading of Paul Du Chaillu 's Explorations and Adventures in Equatorial Africa and was furthered in by studying a tribe of baboons in Africa while filming The Four Feathers.

After reading W. Douglas Burden 's The Dragon Lizards of Komodo , he fashioned a scenario depicting African gorillas battling Komodo dragons intercut with artificial stand-ins for joint shots.

He then narrowed the dramatis personae to one ferocious, lizard-battling gorilla rather than a group and included a lone woman on expedition to appease those critics who belabored him for neglecting romance in his films.

A remote island would be the setting and the gorilla would be dealt a spectacular death in New York City. Cooper took his concept to Paramount Studios in the first years of the Great Depression but executives shied away from a project that sent film crews on costly shoots to Africa and Komodo.

In , David O. Selznick brought Cooper to RKO as his executive assistant and promised him he could make his own films. Schoedsack to direct.

A huge jungle stage set was built, with Robert Armstrong and Fay Wray as the stars. Once the film was underway, Cooper turned his attention to the studio's big-budget-out-of-control fantasy, Creation , a project with stop motion animator Willis O'Brien about a group of travelers shipwrecked on an island of dinosaurs.

When Cooper screened O'Brien's stop-motion Creation footage, he was unimpressed, but realized he could economically make his gorilla picture by scrapping the Komodo dragons and costly location shoots for O'Brien's animated dinosaurs and the studio's existing jungle set.

It was at this time Cooper probably cast his gorilla as a giant named Kong, and planned to have him die at the Empire State Building.

In his executive capacity, Cooper ordered the Creation production shelved, and put its crew to work on Kong.

Cooper understood the commercial appeal of Wallace's work and planned to publicize the film as being "based on the novel by Edgar Wallace".

Wallace conferred with Cooper and O'Brien who contributed, among other things, the "Ann's dress" scene and began work on January 1, He completed a rough draft called The Beast on January 5, Cooper thought the draft needed considerable work but Wallace died on February 10, , just after beginning revisions.

Cooper called in James Ashmore Creelman who was working on the script of The Most Dangerous Game at the time and the two men worked together on several drafts under the title The Eighth Wonder.

Some details from Wallace's rough draft were dropped, such as his boatload of escaped convicts. Wallace's Danby Denham character, a big game hunter, became film director Carl Denham.

Cute moments involving the gorilla in Wallace's draft were cut because Cooper wanted Kong hard and tough in the belief that his fall would be all the more awesome and tragic.

Time constraints forced Creelman to temporarily drop The Eighth Wonder and devote his time to the Game script. RKO staff writer Horace McCoy was called in to work with Cooper, and it was he who introduced the island natives, a giant wall, and the sacrificial maidens into the plot.

Leon Gordon also contributed to the screenplay in a minimal capacity; both he and McCoy went uncredited in the completed film. RKO head Selznick and his executives wanted Kong introduced earlier in the film believing the audience would grow bored waiting for his appearance , but Cooper persuaded them that a suspenseful build-up would make Kong's entrance all the more exciting.

Cooper felt Creelman's final draft was slow-paced, too full of flowery dialogue, weighted-down with long scenes of exposition, [27] and written on a scale that would have been prohibitively expensive to film.

Rather than explaining how Kong would be transported to New York, for example, she simply cut from the island to the theater. She incorporated autobiographical elements into the script with Cooper mirrored in the Denham character, her husband Schoedsack in the tough but tender Driscoll character, and herself in struggling actress Ann Darrow.

Rose also rewrote the dialogue and created the film's opening sequence, showing Denham meeting Ann on the streets of New York.

Cooper was delighted with Rose's script, approving the newly re-titled Kong for production. After the RKO board approved the production of a test reel, Marcel Delgado constructed Kong or the "Giant Terror Gorilla" as he was then known per designs and directions from Cooper and O'Brien on a one-inch-equals-one-foot scale to simulate a gorilla 18 feet tall.

Kong's torso was streamlined to eliminate the comical appearance of the real world gorilla's prominent belly and buttocks.

His lips, eyebrows, and nose were fashioned of rubber, his eyes of glass, and his facial expressions controlled by thin, bendable wires threaded through holes drilled in his aluminum skull.

During filming, Kong's rubber skin dried out quickly under studio lights, making it necessary to replace it often and completely rebuild his facial features.

A huge bust of Kong's head, neck, and upper chest was made of wood, cloth, rubber, and bearskin by Delgado, E. Gibson, and Fred Reese.

Its fangs were 10 inches in length and its eyeballs 12 inches in diameter. The bust was moved from set to set on a flatcar. Its scale matched none of the models and, if fully realized, Kong would have stood thirty to forty feet tall.

Two versions of Kong's right hand and arm were constructed of steel, sponge rubber, rubber, and bearskin. The other hand and arm had articulated fingers, was mounted on a lever to elevate it, and was used in the several scenes in which Kong grasps Ann.

A non articulated leg was created of materials similar to the hands, mounted on a crane, and used to stomp on Kong's victims.

The dinosaurs were made by Delgado in the same fashion as Kong and based on Charles R. All the armatures were manufactured in the RKO machine shop. Materials used were cotton, foam rubber, latex sheeting, and liquid latex.

Football bladders were placed inside some models to simulate breathing. Several of the models were originally built for Creation and sometimes two or three models were built of individual species.

Prolonged exposure to studio lights wreaked havoc with the latex skin so John Cerasoli carved wooden duplicates of each model to be used as stand-ins for test shoots and lineups.

He carved wooden models of Ann, Driscoll, and other human characters. Models of the Venture , railway cars, and war planes were built.

King Kong is well known for its groundbreaking use of special effects, such as stop-motion animation , matte painting , rear projection and miniatures , all of which were conceived decades before the digital age.

The numerous prehistoric creatures inhabiting Skull Island were brought to life through the use of stop-motion animation by Willis O'Brien and his assistant animator, Buzz Gibson.

A device called the surface gauge was used in order to keep track of the stop-motion animation performance. The iconic fight between Kong and the Tyrannosaurus took seven weeks to be completed.

The scene was then composited with separate bird elements and rear projected behind the ship and the actors. The background of the scenes in the jungle a miniature set were also painted on several layers of glass to convey the illusion of deep and dense jungle foliage.

The most difficult task for the special effects crew to achieve was to make live-action footage interact with separately filmed stop-motion animation — to make the interaction between the humans and the creatures of the island seem believable.

The most simple of these effects were accomplished by exposing part of the frame, then running the same piece of the film through the camera again by exposing the other part of the frame with a different image.

The most complex shots, where the live-action actors interacted with the stop-motion animation, were achieved via two different techniques, the Dunning process and the Williams process, in order to produce the effect of a travelling matte.

Dunning, employed the use of blue and yellow lights that were filtered and photographed into black-and-white film.

Bi-packing of the camera was used for these types of effects. With it, the special effects crew could combine two strips of different film at the same time, creating the final composite shot in the camera.

On the other hand, the Williams process, invented by cinematographer Frank D. Williams , did not require a system of colored lights and could be used for wider shots.

It was used in the scene where Kong is shaking the sailors off the log, as well as the scene where Kong pushes the gates open. The Williams process did not use bipacking , but rather an optical printer , the first such device that synchronized a projector with a camera, so that several strips of film could be combined into a single composited image.

Through the use of the optical printer, the special effects crew could film the foreground, the stop-motion animation, the live-action footage, and the background, and combine all of those elements into one single shot, eliminating the need to create the effects in the camera.

Another technique that was used in combining live actors and stop-motion animation was rear-screen projection.

The actor would have a translucent screen behind him where a projector would project footage onto the back of the translucent screen. It was used in the famous scene where Kong and the Tyrannosaurus fight while Ann watches from the branches of a nearby tree.

The stop-motion animation was filmed first. Fay Wray then spent a twenty-two hour period sitting in a fake tree acting out her observation of the battle, which was projected onto the translucent screen while the camera filmed her witnessing the projected stop-motion battle.

She was sore for days after the shoot. The same process was also used for the scene where sailors from the Venture kill a Stegosaurus.

O'Brien and his special effects crew also devised a way to use rear projection in miniature sets. A tiny screen was built into the miniature onto which live-action footage would then be projected.

This miniature rear projection was used in the scene where Kong is trying to grab Driscoll, who is hiding in a cave.

The scene where Kong puts Ann in the top of a tree switched from a puppet in Kong's hand to a projected footage of Ann sitting. The scene where Kong fights the snake-like reptile in his lair was likely the most significant special effects achievement of the film, due to the way in which all of the elements in the sequence work together at the same time.

The scene was accomplished through the use of a miniature set, stop-motion animation for Kong, background matte paintings, real water, foreground rocks with bubbling mud, smoke and two miniature rear screen projections of Driscoll and Ann.

Over the years, some media reports have alleged that in certain scenes Kong was played by an actor wearing a gorilla suit.

King Kong was filmed in several stages over an eight-month period. Some actors had so much time between their Kong periods that they were able to fully complete work on other films.

Cabot completed Road House and Wray appeared in the horror films Dr. X and Mystery of the Wax Museum She estimated she worked for ten weeks on Kong over its eight-month production.

Some of these scenes were incorporated into the test reel later exhibited for the RKO board. The script was still in revision when the jungle scenes were shot and much of the dialogue was improvised.

The jungle set was scheduled to be struck after Game was completed, so Cooper filmed all of the other jungle scenes at this time.

The last scene shot was that of Driscoll and Ann racing through the jungle to safety following their escape from Kong's lair.

In July , the native village was readied while Schoedsack and his crew filmed establishing shots in the harbor of New York City. Naval airfield on Long Island.

Views of New York City were filmed from the Empire State Building for backgrounds in the final scenes and architectural plans for the mooring mast were secured from the building's owners for a mock-up to be constructed on the Hollywood sound stage.

In August , the island landing party scene and the gas bomb scene were filmed south of Los Angeles on a beach at San Pedro, California.

The great wall in the island scenes was a hand-me-down from DeMille 's The King of Kings and dressed up with massive gates, a gong, and primitive carvings.

The scene of Ann being led through the gates to the sacrificial altar was filmed at night with hundreds of extras and lights for illumination.

A camera was mounted on a crane to follow Ann to the altar. The Culver City Fire Department was on hand due to concerns that the set might go up in flames from the many native torches used in the scene.

The wall and gate were destroyed in for Gone With the Wind ' s burning of Atlanta sequence. Hundreds of extras were once again used for Kong's rampage through the native village, and filming was completed with individual vignettes of mayhem and native panic.

Meanwhile, the scene depicting a New York woman being dropped to her apparent death from a hotel window was filmed on the sound stage using the articulated hand.

At the same time, a scene depicting poker players surprised by Kong's face peering through a window was filmed using the 'big head', although the scene was eventually dropped.

In September—October , Schoedsack returned to the sound stage after completing the native village shoots in Culver City. The decks and cabins of the Venture were constructed and all the live-action shipboard scenes were then filmed.

The New York scenes were filmed, including the scene of Ann being plucked from the streets by Denham, and the diner scene.

Following completion of the interior scenes, Schoedsack returned to San Pedro and spent a day on a tramp steamer to film the scene of Driscoll punching Ann, and various atmospheric harbor scenes.

The Shrine Auditorium in Los Angeles was rented for one day to film the scenes where Kong is displayed in chains and the backstage theater scenes following his escape.

Schoedsack's work was completed and he headed to Syria to film outdoor scenes for Arabia , a project that was never completed.

In December — January , the actors were called back to film a number of optical effects shots which were mostly rear-screen projections.

Wray spent most of a twenty-two hour period sitting in a fake tree to witness the battle between Kong and a Tyrannosaurus.

She was sore for days after. Many of the scenes featuring Wray in the articulated hand were filmed at this time. Stunt doubles were filmed for the water scenes depicting Driscoll and Ann escaping from Kong.

A portion of the jungle set was reconstructed to film Denham snagging his sleeve on a branch during the pursuit scene.

Originally, Denham ducked behind a bush to escape danger, but this was later considered cowardly and the scene was re shot.

The final scene was originally staged on the top of the Empire State Building, but Cooper was dissatisfied and re shot the scene with Kong lying dead in the street with the crowd gathered about him.

Murray Spivack provided the sound effects for the film. Kong's roar was created by mixing the recorded growls of zoo lions and tigers , subsequently played backwards slowly.

Spivak himself provided Kong's "love grunts" by grunting into a megaphone and playing it at a slow speed. For the huge ape's footsteps, Spivak stomped across a gravel-filled box with plungers wrapped in foam attached to his own feet, while the sounds of his chest beats were recorded by Spivak hitting his assistant who had a microphone held to his back on the chest with a drumstick.

Spivak created the hisses and croaks of the dinosaurs with an air compressor for the former and his own vocals for the latter.

The vocalizations of the Tyrannosaurus were additionally mixed in with puma screams. Bird squawks were used for the Pteranodon.

Spivak also provided the numerous screams of the various sailors. Fay Wray herself provided all of her character's screams in a single recording session.

For budgetary reasons, RKO decided not to have an original film score composed, instead instructing composer Max Steiner to simply reuse music from other films.

Steiner completed the score in six weeks and recorded it with a piece orchestra. The studio later reimbursed Cooper.

King Kong ' s score was the first feature-length musical score written for an American "talkie" film, the first major Hollywood film to have a thematic score rather than background music, the first to mark the use of a piece orchestra, and the first to be recorded on three separate tracks sound effects, dialogue, and music.

Steiner used a number of new film scoring techniques, such as drawing upon opera conventions for his use of leitmotifs. The film was preceded by a stage show called Jungle Rhythms.

The film had its official world premiere on March 23, at Grauman's Chinese Theatre in Hollywood. The 'big head bust' was placed in the theater's forecourt and a seventeen-act show preceded the film with The Dance of the Sacred Ape performed by a troupe of African American dancers the highpoint.

Kong cast and crew attended and Wray thought her on-screen screams distracting and excessive. The Production Code 's stricter decency rules had been put into effect in Hollywood after its premiere and it was progressively censored further, with several scenes being either trimmed or excised altogether.

These scenes were as follows: A Brontosaurus mauling crewmen in the water, chasing one up a tree and killing him; Kong undressing Ann Darrow and sniffing his fingers; Kong biting and stepping on natives when he attacks the village; Kong biting a reporter in New York; Kong mistaking a sleeping woman for Ann and dropping her to her death, after realizing his mistake.

An additional scene portraying giant insects, spiders, a lizard and a tentacled creature devouring the crew members shaken off the log by Kong into the floor of the canyon below was deemed too gruesome by RKO even by pre-Code standards, and thus the scene was studio self-censored prior to original release.

Though searched for, the footage is now considered "lost forever" with only a few stills and pre-production drawings.

RKO did not preserve copies of film's negative or release prints with the excised footage, and the cut scenes were considered lost for many years.

In , a 16mm print, including the censored footage, was found in Philadelphia. The cut scenes were added to the film, restoring it to its original theatrical running time of minutes.

This version was re-released to art houses by Janus Films in This was based on a release print, with missing censor cuts taken from a print, which "contained heavy vertical scratches from projection.

After a 6-year worldwide search for the best surviving materials, a further, fully digital, restoration utilizing 4K resolution scanning was completed by Warner Bros.

King Kong was also, somewhat controversially, colorized in the late s for television. Venture Crew John Wraight. Vaudeville Act Peter Corrigan. Venture Crew Jason Whyte.

Burlesque Dancer Belindalee Hope. Venture Crew Tim Wong. Zuhörer Ross Duncan. Theatre Actor Edwin Wright. Venture Crew Crawford Thomson.

Trampled Theatre-Goer Matthew Dravitzki. Vaudeville Act Sosina Wogayehu. Pressman Geoff Timblick. Pilot Jim Dietz. Venture Crew Tamihana Nuku.

Venture Crew - Helmsman Ray Woolf. Venture Crew Steve Reinsfield. Young Assistant Tom Hobbs. Hooverville Mother Tania Rodger. Theatre Actor Glen Drake.

Venture Crew David Dengelo. Vaudeville Act Caron Dallas. Vaudeville Act Colin Bogaars. Vaudeville Act Daniel Tusia. Vaudeville Act Darryl John. Studio Guy's Assistant Lee Donahue.

Policeman John Dybvig. Hooverville Child Samuel Taylor. Skull Islander Terence Griffiths. Cab Driver Stephen A. Drehbuchautor Peter Jackson.

Drehbuchautorin Fran Walsh. Drehbuchautorin Philippa Boyens. Basierend auf Merian C. Basierend auf Edgar Wallace. Produzent Peter Jackson.

Produzentin Fran Walsh. Produzent Jan Blenkin. Produzentin Carolynne Cunningham. Technischer Stab. Chef-Kameramann Andrew Lesnie. Cutter Jamie Selkirk.

Regieassistentin Carolynne Cunningham. Kostüm-Designer Terry Ryan. Zweiter Regieassistent Marc Ashton.

Ton-Designer Christopher Boyes. Ton-Designer Michael Semanick. Ton-Designer Michael Hedges. Ton-Schnitt Mike Hopkins. Ton-Schnitt Ethan Van der Ryn.

Toneffekte Richard Taylor. Toneffekte Joe Letteri. Toneffekte Christian Rivers. Leiter Animation und visuelle Effekte Richard Taylor.

Produktion Universal Pictures. Produktion WingNut Films. Verleih Kinostart Universal Pictures Germany.

Planet der Affen: Revolution. Nachdem sie den anderen aus der Schlucht herausgeholfen haben, wollen sie die Suche endgültig abbrechen, da die meisten Ann mittlerweile Your Name 2 tot halten. Asoka Der Weg Des Kriegers Act Caron Dallas. War ja klar! Fred Wilson teilt der versammelten Mannschaft mit, dass er auf der Insel eine riesige Menge Öl vermutet, welche die Ursache für die Wolke sei, in der die Insel seit Jahrzehnten gehüllt ist. Die brutale Gefangennahme des Affen Uci Kinowelt Mundsburg Mundsburg Hamburg Ann. Venture Crew Jason Whyte. Ralph E.

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